There are spoilers regarding the latest episode of the Dollhouse and possibly all of season two so far.
During the first season of Dollhouse, I gave it the tentative thumbs up. The device wasn't the best I'd seen, but the whole troupe of actors playing completely different parts each episode is really cool. That the lead was a woman showing her versatility as an actor made me happy. The different games, cult infiltrator, rock star back-up singer, hostage negotiator, and so on were fun. I like that Echo twisted traditional roles. She did unexpected things and took her character to the next level in a lot of the mini skits. I could overlook that the power she showed in these moments was wiped away at the end of each episode because I like the mini person and in the big picture it looked like Echo had been powerful and willful and was still a force of potential danger and power. There was a hint of maybe and the maybe was just another taste for me to want the uprising and to see it as a potentially big and glorious event to look forward too. I don't know if I'm the only one who feel this but the whole show reminds me of The Pretender with a female lead.
I never in a million years wanted the show to become about the actual Dollhouse. I didn't want to learn more about it's internal workings. I didn't want to see that Adelle was in many ways as much a doll as the actual dolls to a bigger group where some men sit in a dark room and smoke. The implication that these men existed and that Adelle had to walk softly to get around them was enough for me. That she sometimes was getting one over on them and that there could be consequences beyond her power to alter if they were involved was enough.
I never wanted Topher to be more than a sad narcissist incapable of real relationships or empathy for others. The question of whether those remembering or those who don't get to remember suffer more isn't a question or theme I want incorporated into the show. Hello been there and covered it best through Eternal Sunshine of a Spotless Mind thanks. By the way the answer to who's better off is always the people with the power are better off. Those remembering always win. They have a choice, they have the knowledge and they have the power. The dolls have to wander around in the dark. That I could ever grow to sympathize with Topher or his position is to make overly light of the whole scenario It makes me blindingly angry.
At the end of the latest episode Topher talks about how Sierra was never meant to be in the Dollhouse. This implies that others in the Dollhouse are meant to be there. Sierra's story is particularly sad and tragic. Comparatively to November's story, the only other doll's back story we have a full account of, it does seem cruel and awful November did seem far more willing in the process than Sierra does.
Still what we know about Victor implies some sort of war trauma why would that make him belong more? And with Echo it seems that she was snooping into the Dollhouse's experiments It seems that the company probably killed her fiancée and was going to send her to jail with trumped up charges. She knew too much and was being silenced, or at least that's what I've gathered. How does this make Echo belong more. Is it because she was "asking for it" by "snooping around" and "sticking her nose where it didn't belong"? Echo is clearly upset about her options and she seems to fully understand in her meeting with Adelle that she's probably never going to be Carolyn again. How is that chilling terrifying knowledge and forced choice make her belong more than Sierra's choices?
Beyond that, how come Sierra is always a victim? Within the dollhouse her keeper was raping her. Outside her doctor drugged and raped her and got her sent to the dollhouse to become a doll after which he continually paid for her to do engagements where she slept with him "willingly". It's too much for me. Too much victimization Too much powerlessness. Too much focus on what is the most unpleasant part of the show and not enough time using the Dollhouse as a tool to do completely different shows every week.
Echo might have some power in this place. She seems to be growing more capable the more she ignored and left to her own devices. Where last season she stood out as "glitching" she now hides that through lies and deception while she tries to lead the other dolls to the same awareness she has now. When caught we find Echo's favoritism continues with Boyd who has a soft spot for her and through Ballard who apparently considers her the insider that will make it possible to take the dollhouse down.
As if one woman's rise in power above suppression and cohesion must be shot down Sierra's character is hit with all time low. As the character that is supposed to be the fighter the gun carrying woman who cleaned up messes, she's become the victim White but still foreign woman to be punished and continually taken advantage of.
Season 2 really hasn't been the same at all as season 1 and I'm not sure whether I can hold onto it after this past episode. I've been watching and waiting for a return to fun echo on assignments with little side trips to the dolls developing personality, but it's not what I'm getting. Echo has up and changed for no particular reason maybe the multiple personality boot is what did it, I don't really know but suddenly we were let in too much to her world I think. It was too much change in her basic doll structure to go so unnoticed. I mean it was a big deal when Sierra Victor and Echo started sitting together.
At the end of last season Ballard suggested that who the dolls had been always effected the imprint. He used Alpha's past as part of the proof and it shows again in Echo's responses. I want more of that kind of direction if we must talk about the dollhouse. I don't know. I'm really unhappy with the second season and how the show looks and feels. I can't give the same defense of it or any defense really that I gave back in season 1. The nefarious has become too much I guess.
There are things in life that are beyond me. I don't know what it would take to make me happy. I don't know if there is any foreseeable time when I'll ever be able to move out of my parents' house. Gods know I want to, but there's all this work, which I'm working on, that's in the way before I can even consider it. It's ugly and heavy and bitchy of me to bring it up. Gosh knows they should be the ones who are angry and tired. I should be thankful that my brother takes so much energy and time.
Kyle is another thing that's just beyond me. The kid is a senior in high school and he really can't write an essay on his own. I mean I know children where that's the case, hell I know college peeps who can't write essays and are successful. The difference is that they know they can't write essays, They know it takes a team and they prep in advance so that the whole team can work it's magic and the essay works.
I like working on Kyle's essays. I like to help him. I mean I'm not useful at as many things as I'd like to be helpful with but I'm really really good at anything English oriented. It's one of those things that college and Wyoming and life kind of made me forget, but I really like literature and I'm really intuitively good at parsing out bits and pieces. I know what to write down to get an A and I know how to write it. I know all about the different processes you can take to get those words on paper. I know how to lead people with no skill or intuition into the same answers that come to me like a form of divine intervention. I know how to rewrite the shittiest most primitive work into something respectable. I can do it with poetry, lit analysis, exposition and so many other forms of writing.
I know how to weave the obvious into something subtle and rich with meaning if given the opportunity. I am a fucking spin machine. My problem isn't that I don't get it, it's just that there's so much to get. I can go off for hours about the uses of what are seemingly arbitrary words. I can point out what was probably intentional in an author and what was luck. I can point to conscious and unconscious decisions in work. I can follow any lit critics analysis not matter how asinine if he or she throws out a few examples.
I know how to use styles that are considered difficult to master. Hell, I've written some of my best work in the second person and for me if was pretty simple.
I'm not saying that there aren't better people out there. Obviously there are. I'm not even suggesting that I could be helpful to everyone. I think I could help a majority of people with their work if given the one on one time with them and a person who really wanted my help. What I'm saying is that I know what I'm doing and I'm good at it. I can make a plan that will work for a student who has trouble in that area because even though I have a good intuitive grasp of the work, I have several disabilities that make the process as difficult for me as other people less talented find it. I know a lot of tricks, and even ones that don't work for me, I recognize the kind of person they might work for.
For whatever reasons Kyle can't or won't help me work out a schedule for him to do his work by. It's causing tension in the household because everyone has agreed that I should take point on this task, heck I'd like to take point on this, and I can do nothing for a person who won't work out a schedule with me and then stick too it.
Oh well. There is some good. I know that even though I'm good at English, I'd probably fail in job where I'd have to work with more than ten people on their work. I think that working with Kyle has helped to bring back some of my passion too. I mean I'm writing again and I want to write. I feel like some of my poetic inclination is back too. Who knows, maybe some of my poetic flow is awake and well. It's all baby steps.
I still hope to help him. I really want some of this college stuff nailed down. I'll just have to keep pushing at it and hoping it works out.